What Would Walter Cronkite Do? Thursday, Apr 17 2008 

Media law teaches us that defamation is the communication of a false statement stated as a fact. Without sufficient evidence, this is considered slander or libel or even a malicious attack on an individual such as a minister in the given example. As a journalist and a television producer, it is my sole job to report the truth and guarantee the reporters and fellow producers under me do the same. While the video feed given to me by an unaccredited witness and source is tempting, it is not worth losing my job over. However, there are several ways you can handle this without implying questionable intentions:

1. I could bring the video to the attention of my editor or managing editor. Their likely response will be, ”Who is the source and are they credible?”

2. Use the video without seeking permission or advice from an editor and run the risk of being sued.

3. Ignore the email but thank your friend for the information.

The answer I would select is 1. Just because you are a producer for a television network, does not mean you are without merit to seek the counsel of a higher individual. Perhaps someone has dealt with this dilemma before and knows the right way around it.

Unfortunately, there is not always someone around to help immediately so sometimes you have to think on your toes which is why you are a television producer in the first place. It is possible your friend could be considered a citizen journalist and videos from cell phones are a popular source of information today.

The trick is to weight your options. The likelihood that this video is framing the minister and making him look guilty is very high and it is ALWAYS necessary to get a quote from the accused before printing or airing it. If someone out scoops your station, think to yourself it may have been worth it to avoid a lawsuit.

Take Good Notes Thursday, Apr 10 2008 

I believe, as a writer, that taking adequate and important notes is a most. It is crucial to brainstorm and generate coherent thoughts and sentences before moving any further in your writing. Lisa Parisot, veteran journalist and photographer, shared some valuable lessons and advice when setting the scene.

Lesson #1: There are three types of shots: Wide, Medium and Tight. Each one is different when attempting to capture the desired effect. The wide angle is the establishing shot in the sequence, medium takes you in a little closer and the tight shot is very close. It is important to shoot in sequences.

Lesson #2: Shoot and Move. Follow those two repeatedly to assure the correct sequencing and overall effect.

Lesson #3: Don’t Zoom! Your eyes don’t, so you shouldn’t either. If you feel lost, refer back to Lesson 2.

Lesson#4: The Nose Knows. Follow the 180-degree rule and follow the nose which should always go in the same direction.

Lesson #5: Frame work. Have the person or action come into the frame which makes it easier to get the subject from place or location to another. Continue to move and resist the temptation to zoom.

Lesson #6: Make the Action Quicker. Avoid ”Rock” shots that just sit there.

Lesson#7: The subject should be at eye-level. Feel free to adjust your height accordingly.

The above lessons were extremely helpful and informative especially since I am a novice photographer. I really enjoyed how Lisa used her own examples to explain her theories. While these may be adopted methods, Lisa was very good to add her own spin to them and as well as an additional tidbit based on her own experience. What I enjoyed the most was the fact that she wasn’t camera shy, even at her earlier stages in experience, and she was gutsy to do absolutely anything to get that perfect shot. In my opinion, Lisa is an outlaw in modern photography and I was impressed to see her extensive list of camera equipment she keeps in her car. I don’t have so much as a disposable camera in mine and should probably look into that. Overall, Lisa was educational and I really liked her attitude toward beginners.

BRIT, a milestone in research. Thursday, Mar 6 2008 

The sun’s golden rays seep through the sparkling glass of the conservatory. Bright colors compliment the room; reds, blues and yellows take flight soaring in the sky. More than 10 thousand butterflies can be seen flittering their wings at the Fort Worth Botanical Gardens impressing even the most ignorant observer. Species like the Blue Morpho indigenous to the tropics flies nearer to the top to absorb the light while the Paper Kite enjoys the damp leaf of the Lantana. Each one, different in size and purpose, represents an important component in the education system of North Texas; a system one organization is adamant in preserving.

The month of March recognizes many celebrations and holidays and this year, downtown Fort Worth has added one more reason. The Botanical Research Institute of Texas is hosting ”Butterflies in the Garden,” a well-known exhibit featuring live and exotic butterflies from around the World. This event represents the commitment within the education system that BRIT has successfully developed with high expectations for the future.

With plans to relocate to the Fort Worth Botanical Gardens, the onsite facility will be state-of-the-art and should be open as of 2010, according to www.brit.org. Originally created in 1987 to house the Southern Methodist University Herbarium and botanical library, BRIT has expanded its collection to almost one million specimens in the 20 years of existence.

 

”All our specimens, whether from regions of Texas or the tropics in South America, are important,” said Pat Harrison, Head of Education and Assistant Director of BRIT. ”The process to collect and preserve these often rare and extinct plants is just as exciting as the specimen itself.”

Harrison joined BRIT on an educational grant to develop research in the field of botany. She previously taught middle school science and said she wanted to create an education system to compliment outside growth with growth in the classrooms. Along with area-wide events like the butterfly exhibit, BRIT also offers one-on-one classes as well as lecture series.

The organization, while currently limited in space, does not appear to be lacking in resources and opportunities for botanists and field researchers to expand their research. One of the most recognized and acclaimed projects, according to Harrison, are the field trips to South America and Australia. BRIT has direct representatives as well as sister organizations that team up to explore and investigate into the growth and habitat preferences of various plants.

”Our mission is to locate red listed plants whether endangered or extinct and study them,” said Keri McNew, project manager for the New Guinea expedition.

McNew is one of many young Master’s students who volunteer and are employed at BRIT. According to McNew, the organization sees almost 40 volunteers continually walking through their doors. Retired adults, former botanists or interested learners come to help file specimens, attend to research documents and write academic papers and journals.

Iridos, BRIT’S publication, is published twice a year and is sent out to all supporters and contributors. Recently awarded a Silver Addy Award for their 2007 issue, Iridos is managed by Robert George, a botanist who specializes in coordinating academic books. George is currently the data collector for many regional plant publications and helped Iridos go from a newsletter to an award-winning publication in the botanical world.

”My recent contribution was to this book, Illustrated Flora of East Texas, and it generally takes five to six years to publish work of this extensive and thorough.” 

            BRIT also houses multiple volumes and issues of journals which are alphabetized with 100 new titles arriving every month. Gary Jennings, librarian, said he is in charge of monitoring and organizing the incoming publications as well as documenting their age.

            ”The oldest journal we have is called Discordeis and it is dated back to 1549,” said Jennings. ”However, we have 2008 editions that we are proud of as well.”

            Noteworthy contributors like Edward P. Bass donate time and money to BRIT which is monumental in allowing such organizations to stay alive. Membership dues start at 100 dollars to join as a partner and extend to the highly generous five thousand dollar donation as a member of the Director’s Circle. In May, the organization is honoring Peter Raven, Director of the Missouri Botanical Garden, with the 2008 International Award of Excellence in Conservation.

            The future looks bright and hopeful for BRIT and its employees. Harrison said she has been involved with the organization for more than 10 years and is always learning something new.

            ”After the butterfly exhibit ends in March, our plans are to continue packing to get ready for our exciting move,” said Harrison, head of education. ”We are looking forward to the change.”

Check out my Slide Show! Thursday, Mar 6 2008 

Check out my Slide Show! Thursday, Feb 28 2008 

Check out my Slide Show! Thursday, Feb 21 2008 

Photos Speak Thursday, Feb 21 2008 

 The Wall Street Journal
http://online.wsj.com/article/SB120354600035281041.html?mod=world_news_featured_articles

On February 21, 2008, the WSJ published an article about the drug problems in China. The illegal ingredient, raw heparin, is manufactured in Yuanlou and is a key ingredient in a blood-thinning medicine under suspicion in recent deaths.  The article was available in both online and print versions both front page stories. The article itself was decent in terms of information and statistical data. However, the photos in print are disappointing. The first photo is not even an inch by inch and shows simply a bowl of the ingredient on display. Then turning to page A14, and you have two other visuals which include a snapshot of the facility that manufactures the drug component along with a Chinese man involved in the process line. The chart included with statistical data is a very well representation and far surpasses the photos. I know black and white photos can only tell so much but I would have thought there would be a few more such as people waiting in line to receive the drug or any families out of house and home due to drug dependency.

The online version is much better in terms of visual since color is a visual stimulant. There is a slide show of about 16 photos that range from the beginning of the process including workers and examples of the finished product. My favorite three photos are: a vat of pig intestines, the flattening of the intestines and a man heating up the fire to cook them. The three photos are similar in terms of purpose but they are so volatile representing the cruel truth overseas that he pulls you into the story. I would have, as stated above, included pictures of people dependent on the drug as well as pictures of people who have taken the drug and have had harmful side effects even those who have died. The pictures do not do much for the story other than show the photographer got the nut graf in a few shots. This story could have gone so much farther if the photos told more.

England’s finest? Monday, Feb 11 2008 

Seeing as I am in England for the week, I decided to watch a blog on The Times Web site.  I came across a video diary of Matthew Hoggard and decided to comment on its content. If you are not familiar with him, he is a English cricket player and the diary was about his team arriving in Sri Lanka for a match. Now I soon came to realize this diary was an amateur submission done by the well-known cricket player and I am sure The Times felt it was all in good fun.

This 8-minute video was actually a good choice in highlighting and representing what not to do or post on your newspapers Web site. I imagine the submission rules are a little less strict in England as they are in the States; however, I was literally shocked to watch this. There was swearing, obscene gestures and overall foul behavior by the interviewer and his colleagues. I am in no way an evangelist for appropriate material on the Web nor do I over analyze what is considered crude. Let me move on and describe the actual footage.

The audio was shot and you could barely hear the dialogue (regardless of thick accents)  and it was very hard to get past the language. The video coordination was atrocious and while I know this was done overseas, the resolution and noise gave me a headache. You could not follow the story line and there was actually no purpose to its making at all.

Now I know this all sounds a little harsh and perhaps these chaps were just goofing around. Be this as it may, I feel as a well-respected newspaper and its companion Web site, the online monitors should be a little more careful on what they deem is newsworthy.

On the other hand, this could be loads of fun for a fellow cricket follower or a sports enthusiast. However, I am the latter and I saw no sports references other than teammate jaunting and unappealing men in jerseys.

Below is the link…see for yourself and if you disagree, I will be happy to receive feedback.

http://www.timesonline.co.uk/tol/sport/cricket/article2979033.ece

The Five Senses Thursday, Feb 7 2008 

When you are a visual learner, you rely primarily on sight to tell the story. The other four senses are heightened only after your eyes do all the work. In multimedia packages, like ”Love in the First Person” on www.mediastorm.org, the characters use visual elements like photos to speak for them. Audio feed and voice overs are in the background for most of the story but it is somehow the pictures that make the effect.  A chronological slide show about a young couple challenged by the milestones of marriage and pregnancy entices the viewer during the 11 minutes and even generates a personal connection. While we are on the other side of the camera, in a way we can relate to their struggles and sympathize.

The use of audio is weak in my opinion and I feel the story could still have been successful without the accompaniments. The photography is so strong and moving that it literally speaks for itself and the speaking parts seem redundant. It is effective for a true-life piece but at times it appears  distracting and unclear. The flow of the story jumps around quite a bit and I wish there had been more photos during the pregnancy which seemed like the real emphasis of the story. The wedding was monumental but not nearly as much as two young adults struggling to make a life in a strange city and environment. I would have liked to have seen personal interviews with the parents and friends explaining their anxieties and thoughts on the matter.

The overall feel was like a home movie that accidentally was viewed by others. There is no climax or true conflict which is important in every story. I thought the live footage was unnecessary especially with some of the phenomenal photos that explained the same thing as the video feed. Overall I enjoyed it but was a little disappointed in the ending and the camera work. I think for a multimedia package to be effective and successful, you must analyze who your audience is and what the message is you are trying to get across. The couple should consider this can be viewed by millions of Internet users and it is not just for close family and friends.

Travel for the job Thursday, Feb 7 2008 

My blog this week is about the incredible video done by Jim Lo Scalzo and his journey as a photographer across the World. His travel is described in great detail with words but the pictures are a completely different experience. You are literally transformed into his world of disease and famine when he visits India and feel the frostbite when he is in Antartica. You are placed in well-known states, countries and continents that show the harsh realities that face such locations. Any red blood American would view this video and perceive it as a grim existence but Lo Scalzo goes one step above telling us…he shows us with the pictures. These visual masterpieces exhibit true talent in terms of quality but they also draw us in and the viewer can reach out and touch the young children suffering from diptheria. Lo Scalzo is experiencing the diseases with these people as in the first five minutes he lists every infection he has ever contracted and how he hurts that he has to leave his baren wife behind. The video is also superb and travels back in time to show us a time with war and the period in between. Yet everyday these people feel war and pain. Everything works in this multimedia video: the story that compels us to watch on, the video that elaborates so clearly on the problem at hand, and the photography that sends you on a high of visual color and representation.

There are a few things I would change however. I wish Lo Scalzo would have interviewed or provided audio feed from the citizens of each place. The story is about the people and who is affected by this turmoil. You see fire, starvation and brutal beatings everywhere but why aren’t the people speaking about it?

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